(For SFU IAT 344 (2022) only)
Vancouver Parks
- Susan Alexander “Sen̓áḵw”
Location: Seńákw commonly known as Vanier Park | Read the Poem | Recorded Reading- Synopsis: The first three stanzas of this poem take the reader to the current site of Sen̓ákw also known as Vanier Park where there is a shifting scene of stunt kites, bicycles, joggers, music, picnickers and Bard on the Beach tents in which the play Lysistrata is being performed. The last three stanzas awaken the settler speaker of the poem, and the reader, to the dark colonial history of Sen̓ákw.
- Synopsis: The first three stanzas of this poem take the reader to the current site of Sen̓ákw also known as Vanier Park where there is a shifting scene of stunt kites, bicycles, joggers, music, picnickers and Bard on the Beach tents in which the play Lysistrata is being performed. The last three stanzas awaken the settler speaker of the poem, and the reader, to the dark colonial history of Sen̓ákw.
- Kelsey Andrews “To the Otter Who Snuck into the Dr. Sun Yat-Sen Garden and Ate the Koi”
Location: Dr. Sun Yat-Sen Classical Chinese Garden | Read the Poem | Recorded Reading- Synopsis: “To the Otter Who Snuck into the Dr. Sun Yat-Sen Garden and Ate the Koi” is about the otter, from the point of view of a formerly homeless person who is now living in an SRO, thinking about the similarities and differences between him and the otter.”
- Julie Emerson “Stanley Park Fir”
Location: Stanley Park| Read the Poem | Recorded Reading- Synopsis: Giant fir trees have lived in Stanley Park for centuries; they are the mother trees sheltering animals, birds, insects, and plants, and observing rootless humans from above.
- Synopsis: Giant fir trees have lived in Stanley Park for centuries; they are the mother trees sheltering animals, birds, insects, and plants, and observing rootless humans from above.
- James Kim, “An Existence That We Can Call Home”
Location: The First Narrows, by what is now known as Stanley Park and the Lions Gate Bridge | Read the Poem | Recorded Reading- Synopsis: This poem is about the gentrification and power imbalances that come about in trying to erase history, and our duty to make sure it’s remembered. (First Nations villages as well as Chinese, Portuguese, Hawaiian and mixed-race communities were forcibly displaced by authorities to make way for what we now know as Stanley Park. (Please read the footnotes to the poem for the history.)
- Theresa Rogers, “the stone artist”
Location: Stanley Park Seawall | Read the Poem | Recorded Reading- Synopsis: When you walk along the Stanley Park seawall, so full of its own history, you will come upon cairns sculptured only with stones precariously balanced, yet they often manage to remain for several days, resembling flocks of birds. Only once have I seen an actual artist at work — often is seems it is done in quiet hours while others are not around.
- Diane Tucker, “Fat Vancouver Snow”
Location: Norquay Park & the Carmen Rosen sculptures across the street in the 2600-block of Kingsway | Read the Poem | Recorded Reading- Synopsis: This poem captures layered moments of a singular winter day where a striking piece of public art opens the narrator to the voices of her neighbourhood’s deep history.
- Synopsis: This poem captures layered moments of a singular winter day where a striking piece of public art opens the narrator to the voices of her neighbourhood’s deep history.
East Vancouver
- Harper Campbell, “Near Commercial”
Location: Commercial Drive | Read the Poem | Recorded Reading- Synopsis: This poem is about the poet’s memories of growing up near Commercial drive in the 1990s. It shows certain places and the poet’s memories about them.
Vancouver West Side
- Sandra Bruneau, “Alma”
Location: Alma Street, which runs north-south from English Bay to West 16th Avenue on the west side of the city | Read the Poem | Recorded Reading- Synopsis: Vancouverites, known to demonstrate publicly for various causes, reach out to Ukrainians fighting for their homeland and culture. Alma Street here and the Alma River in Crimea are placenames we share, signifying our common bonds and shared hopes for peace and justice.
- Synopsis: Vancouverites, known to demonstrate publicly for various causes, reach out to Ukrainians fighting for their homeland and culture. Alma Street here and the Alma River in Crimea are placenames we share, signifying our common bonds and shared hopes for peace and justice.
- Barbara Pelman, “Congregation Beth Israel”
Location: Congregation Beth Israel, 989 West 28th Ave, off Oak Street | Read the Poem | Recorded Reading- Synopsis: This is a poem from the perspective of a twelve-year old in 1958, who feels uncomfortable amongst her wealthier friends, but who feels great pride in the fact that she is the daughter of the choir-leader, whose beautiful voice fills the synagogue. There are many details about the changes occurring both in the physical and social structure of the synagogue at that time.
- Leslie Timmins, “The Modest Contribution of Babies to the Protest at the Member of Parliament’s Office”
Location: Khatsahlano Beach (known as Kitsilano Beach) and a protest by 350.org at Broadway and Arbutus Read the Poem | Recorded Reading- Synopsis: On a scorching summer day, a crowd of people gather on a street corner in Vancouver, some tenderly carrying babies on their chests or backs, others cheerfully waving signs at drivers passing by, all demonstrating against government support for the fossil fuel industry. Just a few blocks away—evidence of a catastrophic climate event: a thousand blue mussel shells lying open on an offshore reef, still cradled against other, but unable to survive record-breaking heat in an ocean the temperature of bathwater.
Downtown Vancouver
- Christina Barber, “Victory Square Lament”
Location: Victory Square | Read the Poem | Recorded Reading- Synopsis: This is a poem of Remembrance about the personification of place as Witness. An homage to the rondeau form of John McCrae’s venerated poem, “In Flanders Fields,” this five-part work encompasses the story of the Square via key historical events since its dedication in 1924. Through the poem we recall not only the veterans of military conflicts but also those of the Depression riots of 1935 and of homelessness and substance abuse, each a vivid entity in the social geography of the square’s environs whose ‘presence through absence’ is embodied in the cenotaph as an equivocal symbol of our perennial will to remember
- Jeremy Chu, “Entertainment”
Location: The former Marco Polo Restaurant, 90 East Pender St. | Read the Poem | Recorded Reading- Synopsis: The poem in its barest is about the historical presence of The Marco Polo (former famous nightclub in Chinatown), and its importance as a space-of-relation between communities, namely communities of colour.
- Angela May, single mother on hastings
Location: 324 Powell Street (The Lion Hotel), East Hastings, and the wider Downtown Eastside, especially via personal and familial memory | Read the Poem | Recorded Reading- Synopsis: This poem is about a Japanese-Canadian single mother who makes home in the Downtown Eastside, and how the power of her home-making transcends time, touching down in the lives of her children, and further generations (including the poet).
- Donna Seto, “Contrasts”
Location: Chinatown | Read the Poem | Recorded Reading- Synopsis: A 100 year-old Chinese elder witnesses the changes and gentrification of Chinatown.
- Synopsis: A 100 year-old Chinese elder witnesses the changes and gentrification of Chinatown.
To Submit a Video
City Poems Contest is pleased to accept entries on FilmFreeway, an excellent way to enter film festivals and creative contests worldwide.